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By Ricciardi T.

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In Le livre de ma vie, Noailles writes about the impact of the natural beauty of the Bosporus and the Eastern atmos³O¶2ULHQW´ >WKH (DVW@ with KHU PRWKHU¶V QDPH ³5DFKHO´ DV GLYLQH PXVLF ERWK of which elevated her mother to the level of a demi-god. At the end of the poem, Noailles writes: Mon art est seviteur du sien. ] (qtd. in Mignot-Ogliastri 54±55) )RUWKH6XILSRHW-DODOXGGLQ5XPL¶VHVWHHPIRUWKHVXSHULRULW\RIPXVLFRYHUZRUGV as a stimulation for meditation, see Friedlander and Uzel, The Whirling Dervishes, 131; and for the music, musicians, and instruments of the whirling dervishes, see 127±54 in this book.

Ionesco, Eugène. Present Past, Past Present: A Personal Memoir. Trans. Helen R. Lane. New York: Grove Press, 1971. ´Representations 26 (1989): 7±25. Roman, Andrea. Le populisme Quarante-Huitard dans les Principautés Roumaines. Bucharest: Les Éditions de la Fondation Culturelle Roumaine, 1999. Spiridon, Monica. Les dilemmes de l¶identité au confins de l¶Europe: Le cas roumain. 3DULV/¶+DUPDWWDQ Tzara, Tristan. First Poems. Trans. Michael Impey and Brian Swan. Berkeley: New Rivers Press, 1976.

RU5XPL¶VOLIHVHH6FKLPPHl, 5XPL¶V:RUOG7KH/LIHDQG:RUNRIWKH*UHDW6XIL Poet; DQGIRU5XPL¶VZRUNVHH6FKLPPHOThe Triumphal Sun: A Study of the Works of JalƗloddin Rumi. 13 The whirling dance, also known as sema ZKLFKPHDQV³WRKHDUDQGWROLVWHQ´LQ Arabic), for Sufis, signifies reaching a high level of emotion, excitement, pleasure, and inspiration in the accompaniment of music or divine hymns (cf. Shafii 104). It is also known as the zikr in motion (zikr or dhikr: awareness of God by repetition of divine names).

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