Read e-book online A Year of Hitchcock: 52 Weeks with the Master of Suspense PDF

By Eric San Juan, Jim McDevitt

Review
Recommended. (Library magazine )

A 12 months of Hitchcock is prepared into fifty two chronological chapters and invitations readers to spend a 12 months with the director's top works to understand his improvement. every one movie is taken into account in mild of Hitchcock's profession and issues important to his paintings, providing a spotlight at the diversity of his recognized and lesser-publicized motion pictures and supplying a key research ideal for any college-level movie library fascinated by Hitchcock's movies. (California Bookwatch, November 2009 )
Review
Recommended.
(Library magazine )

A yr of Hitchcock is prepared into fifty two chronological chapters and invitations readers to spend a yr with the director's top works to understand his improvement. every one movie is taken into account in mild of Hitchcock's profession and subject matters critical to his paintings, delivering a spotlight at the diversity of his well-known and lesser-publicized motion pictures and supplying a key research excellent for any college-level movie library fascinated about Hitchcock's movies. (California Bookwatch, November 2009 )

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Extra info for A Year of Hitchcock: 52 Weeks with the Master of Suspense

Sample text

Make no mistake: Murder! is a flawed experience, but because it is the most notable step to date toward the kind of film upon which his legacy would be built, it is also essential viewing for the Hitchcock student. The early look at his developing feel for suspense is enlightening, while the numerous cinematic flourishes make for good entertainment. M. • Chaos in an Unexpected Location • Ineffectual Authority Figures • Man (or Woman) on the Run • Murder • Suicide • Wrongly Accused THINGS TO LOOK FOR ● ● ● ● ● An opening pan that looks ahead in time to Rear Window.

He thrived on the challenge of discovering ways to improve his work. While a lot of these early films are a far cry from the masterpieces that made him a household name, they clearly illustrate that Hitchcock was an artist, not just a filmmaker. By 1930 it had become clear that there was a type of story Alfred Hitchcock was born to tell. With the exception of The Farmer’s Wife, his most enter- MURDER! (1930) 45 Norah Baring and Herbert Marshall face each other in Murder! ) taining films up to this point included murder, people under suspicion, and clashes with authority—all frequent Hitchcock themes.

One has to admire Hitchcock’s willingness to turn this into a talkie in the WHERE’S HITCH? first place. Production was already well under way when studio bosses, hoping to Hitchcock appears a little capitalize on the success of The Jazz more than ten minutes into Singer (1927), decided to add sound, so it the film in a very amusing was no small matter to switch gears in sequence on a train. mid-production. It would have been easier to wait until the next film to make the move, but Hitch recognized the benefits of sound and knew the hassle was worth the reward.

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A Year of Hitchcock: 52 Weeks with the Master of Suspense by Eric San Juan, Jim McDevitt


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