This quantity examines cinematic representations of historic Greek ladies from the nation-states of fable and heritage. It discusses how those girl figures have been resurrected at the significant display by way of assorted filmmakers in the course of assorted historic moments, and have been as a result embedded inside of a story which served a variety of reasons.
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Additional info for Ancient Greek Women in Film (Classical Presences)
50 Winkler (2009: 219). 51 Pomeroy (2008: 50). 52 Roisman (2008: 134). 53 Nisbet (2006: 34). 54 Roisman (2008: 141), Winkler (2009: 219–20). 55 See, Gantz (1993: 303–10), Hirschberger (2000), Wilk (2000), Topper (2007). 32 Ancient Greek Women in Film art Medusa was portrayed as both very beautiful and horrendously fearsome. Athena wore Medusa’s severed head on her aegis (the mantle across her chest) and emblazoned on her shield as an apotropaic device, an image to ward off evil, known as a Gorgoneion.
17 In its pre-release 11 Russell (2007: 10–11) notes the unique connection established between historical event and cinematic spectacle by ﬁlming historical epics in the new Cinemascope technologies. 12 Günsberg (2005: 101); Pomeroy (2008: 61). In general on pepla, see Günsberg (2005: 97–132), Nisbet (2006: 47–55), Pomeroy (2008: 29–59), Nikoloutsos (2013), and Paul and Pomeroy (both this volume). 13 Dyer (1997: 145–83), MacKinnon (2002), Günsberg (2005: 102, 130–1), Turner (2009). , Shahabudin (2009) and Pomeroy (this volume).
5 Hecuba’s warning suggests a different approach to the male gaze, one that constructs it as vulnerable, weak and powerless when sighted on the immense power of the female. With the attribution of this power over the male gaze to her, the ﬁgure of Helen may be seen as focalizing three different constructs of the gaze. First, throughout the western cultural tradition she has served as the iconic female to be gazed upon to stir men’s desire. Second, she evokes the danger men risk from gazing upon a sensual, sexually potent female.
Ancient Greek Women in Film (Classical Presences)