By Stephen Matterson
PMContents: creation: Tumbles and Leaps; starting in knowledge; in the direction of a Rhetoric of Destitution; Excellence and Loss; heritage and Seduction; Defeats and desires; Notes and References; Index
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Additional resources for Berryman and Lowell: The Art of Losing
Again, Ransom and Tate were key members. In fact, the Agrarians ought to be termed a movement rather than a group, since they did have particular aims, and the beliefs which they fostered were far from being exclusively literary or artistic. The collection of essays which publicly founded the movement, I'll Take My Stand (1930) dealt also with history, religion, politics and economics. The concerns which Ransom and Tate explored while Agrarians had a powerful impact on all of their subsequent writings on aesthetics.
Primarily, it suggests that Lowell no longer considers the need to escape from time and is exploring ways of living within its remorselessly linear progression. So, ideally at least, the symbol transcends time. In Lord Weary's Castle Lowell has another reason for using a symbolist mode. As with Berryman, the symbol best enacts the preserving function that was considered the essence of art. But in this book Lowell goes 34 Berryman and Lowell: The Art of Losing further. He attempts to see beyond reality to a higher order that is permanent and universal.
These essays have generally been considered only in terms of Tate's aesthetic theory, but this theory is in fact inseparable from his social and political theory. The essays continue with the association Ransom saw between the agrarian community and the poem, but Tate's emphasis on Agrarianism is much more subdued. He has refined his ideas from a much larger range of beliefs. In a 1930 essay 'Religion and the Old South', Tate had praised the religious attitude Beginning in Wisdom 21 to experience because it transcended a scientific approach.
Berryman and Lowell: The Art of Losing by Stephen Matterson